Elliott H Powell

Elliott H. Powell is Beverly and Richard Fink Professor in Liberal Arts and Associate Professor of American Studies and Asian American Studies at the University of Minnesota. He is an interdisciplinary scholar of U.S. popular music, race, sexuality, and politics. And he received his Ph.D. in American Studies from New York University, and B.A. in History from the University of Chicago. Prior to joining the University of Minnesota, he was a Postdoctoral Fellow and Faculty Associate at the Frederick Douglas Institute for African and African-American Studies and the Susan B. Anthony Institute for Gender and Women’s Studies at the University of Rochester, respectively. Elliott has been the recipient of several national fellowships and awards from the Woodrow Wilson Foundation, Ford Foundation, Andrew W. Mellon Foundation, the Social Science Research Council, the American Musicological Society, and the International Association for the Study of Popular Music. His first book *Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music* (University of Minnesota Press, November 2020), brings together critical race, feminist, and queer theories to consider the political implications of African American and South Asian collaborative music-making practices in U.S.-based Black Popular Music since the 1960s. In particular, the project investigates these cross-cultural exchanges in relation to larger global and domestic sociohistorical junctures that linked African American and South Asian diasporic communities, and argues that these Afro-South Asian cultural productions constitute dynamic, complex, and at times contradictory sites of comparative racialization, transformative gender and queer politics, and anti-imperial political alliances. He is also at work on two other book projects. The first is tentatively titled *Prince, Porn, and Public Sex,* which explores the politics of sex(uality) and music in Minneapolis during the 1980s. And the second is tentatively titled *Illegitimate Sounds*, which explores the queer potentiality of recordings like demos that do not conform to commercial audio legibility. Writings from these research areas are published in GLQ, Amerasia, Journal of Popular Music Studies, ASAP/Journal, philoSOPHIA: A Journal of Continental Feminism, The Routledge History of American Sexuality, The Oxford Handbook of Hip Hop Studies, The Jazz Research Journal, and The Black Scholar (where he co-edited TBS' first queer and/or trans special issue)

Educational Background & Specialties

Educational Background

  • Ph.D.: American Studies, New York University.
  • B.A.: History, University of Chicago.


  • American popular music and culture
  • Critical race theory and Comparative ethnic studies
  • Feminist and Queer studies
  • African American and Asian American Studies
  • Music and Politics
  • Music and globalization
  • Jazz
  • Hip Hop
  • Sound studies
Courses Taught
  • AMST 3112: Prince, Porn, and Public Space: The Cultural Politics of Minnesota in the '80s
  • AMST 3252W: American Popular Culture and Politics: 1900 to 1940
  • AMST 1905: Freshman Seminar (Americans Abroad: Rethinking Travel, Culture, and Empire)
  • AMST 3253W: American Popular Culture and Politics: 1940-Present
  • AMST 8920: Queer Temporalities: Pleasure, Ghosting, and the Politics of Queer Time
  • HSEM 2006H: Prince, Porn, and Public Space: The Cultural Politics of Minnesota in the '80s
  • AMST 8920: Black Cultural Studies
Research & Professional Activities

Professional Activities

  • Co-Editor of the Journal of Popular Music Studies: 2021
  • Co-President of the Queer/Trans Caucus of the American Studies Association: 2020 - Present
  • Co-President of the GL/Q Caucus of the Modern Language Association: 2020 - Present
  • Executive Committe, International Association for the Study of Popular Music (US): 2020 - Present
  • Editorial Board, Journal of Hip Hop Studies: 2020 - Present
  • Advisory Board, Le Conseil International pour Hip Hop et Recherche : Hip Hop in the South Asian Diaspora , 2018 - Present
  • Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music. Powell, Elliott, University of Minnesota Press, Author, 2020. Link
  • "Getting Freaky with Missy: Missy Elliott, Queer Hip Hop, and the Musical Aesthetics of Impropriety": Powell, Elliott, Journal of Popular Music Studies, 33 145-167, 2021. Link
  • "On Breathlessness, Afro-Asian Relationalities, and Black Liberation": Powell, Elliott, Amerasia, 46 267-269, 2021. Link
  • "Paint it Black": Powell, Elliott, ASAP/Journal ("Black One Shot" series), 2020. Link
  • "Introduction: An ImPossibility: Black Queer and Trans* Aesthetics": Powell, Elliott, Shanté Paradigm Smalls, The Black Scholar, 49 1-5, 2019. Link
  • "Unmastered: The Queer Black Aesthetics of Unfinished Recordings": Powell, Elliott, The Black Scholar, 49 28-39, 2019. Link
  • "Coalitional Auralities: Notes on a Soundtrack to Punks, Bulldaggers, and Welfare Queens": Powell, Elliott, GLQ, 25 188-193, 2019. Link
  • "Play": Powell, Elliott, Routledge, The Routledge History of American Sexuality, 251-262, 2020. Link
  • "The Ghosts Got You: Exploring the Queer (After) Lives of Sample-Based Hip Hop": Powell, Elliott, Oxford University Press, The Oxford Handbook of Hip Hop Music, 2018. Link
  • "‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls": Powell, Elliott, Jazz Research Journal, 12 86-109, 2018. Link
  • "Addict(ive) Sex Toward an Intersectional Approach to Truth Hurts’ 'Addictive' and Afro-South Asian Hip Hop and R&B": Powell, Elliott, Routledge, Popular Music and the Politics of Hope Queer and Feminist Interventions, 173-185, 2019. Link
  • "Funking Our Way to Freedom": Powell, Elliott, GLQ, 24 387-390, 2018. Link
  • "Resilience and Melancholy: Pop Music, Feminism, Neoliberalism" (Review): Powell, Elliott, philoSOPHIA, 7 179-185, 2017. Link
  • "Doing Drag with the Cockettes": Powell, Elliott, 2015, Walker Art Center. Link
  • University of Minnesota Imagine Fund Award, 2020 - 2021
  • Global Programs & Strategy Alliance, International Travel Award, 2019
  • University of Minnesota Imagine Fund Award, 2017 - 2018
  • IDEA Multicultural Research Award, University of Minnesota, 2017 - 2018
  • Woodrow Wilson Career Enhancement Fellowship, Fall 2017
  • Ford Foundation Postdoctoral Fellowship, 2016 - 2017
  • University of Minnesota Imagine Fund Award, 2016 - 2017
  • Faculty Residential Fellow, Institute for Advanced Study, University of Minnesota, Fall 2016
  • Frederick Douglass Institute Postdoctoral Fellowship, 2013 - 2014
  • Social Science Research Council Dissertation Grant, 2013
  • Northeast Consortium for Faculty Diversity Dissertation Fellowship, 2012 - 2013